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Reporting from: https://exhibits.library.cornell.edu/tradecards/feature/printing-trade-cards

Printing Trade Cards

This unusual set of six cards promoting Liebig Meat Extract illustrates the manner in which trade cards were produced by a nineteenth-century color-printing method called chromolithography. This method uses the flat surface of specially prepared stones as printing plates. Chromolithographic images are produced by printing each color separately, then superimposing those colors to make a finished full-color print. The process is labor-intensive, as each color requires a separate stone with the image (or portion of the image) drawn on it. The stones are then inked individually, and until the invention of modern presses, the paper—one sheet at a time—was run across the stones, taking on each pass the impression of a different color.

These cards demonstrate the chromolithographic process. Ingeniously, they depict both the steps in the process and the manner in which a printed image is formed, one color at a time. The image in this case is a cameo portrait of Justus von Liebig, whose product is being advertised, reproduced using twelve individual ink colors, each laid down in a separate pass through the printing press; the gold frame requires a thirteenth pass. The number of colors used in this example is unusually high, the norm for nineteenth-century trade cards being five or six colors. An interesting footnote to this series of cards is the presence of women workers in the printing plant.

Artist in studio, step one of the chromo-lithography technique
The artist is shown in his studio, creating the original drawing. A cameo portrait of Herr Liebig, hard to make out at this point, has been printed in two colors only—yellow and a very pale salmon; the gold frame also appears. This stage reflects three passes through the press.
Workers in quarry, step 2 of the chromo-lithography technique
Workers quarry the flat slabs of stone onto which the artist’s picture will be transferred. In the cameo, two more colors—blue and a tone of gray—have been added, providing fuller definition to the portrait.
Lithographers at work in business suits, step 3 of the chromo-lithography technique
The lithographers—dressed in business suits—are at work drawing the pictures onto the stones, which will then be specially treated so that selected areas will hold ink and others will repel it. With the addition of two further colors, the portrait begins to emerge more clearly.
Printers inking stones, step 4 of the chromo-lithography technique
The printers are shown inking the stones. Now in eight colors, the cameo is fully visible.
Printers pull finished sheets, step 5 of the chromo-lithography technique
The printers pull the finished sheets from the press, and a nearly finished portrait, printed in ten colors, appears.
Printed sheets are stacked, step 6 of the chromo-lithography technique
The printed sheets are neatly stacked and will be folded and cut to make booklets or perhaps even trade cards. The portrait, now in twelve colors—including, finally, black—comes fully alive with fine detail and genuine depth.
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